Seeing 3D

This Friday (21st June) is Stereoscopy Day, the third annual global celebration of stereoscopic 3D.

Organised by Denis Pellerin and Rebecca Sharpe, co-curators of the Brian May Archive of Stereoscopy, Stereoscopy Day marks 186 years since Sir  Charles Wheatstone first presented the stereoscope and his theory of binocular vision to the world.

Official #StereoscopyDay website.

It was more than a decade ago when I first became aware of Wheatstone’s discovery.

Studying for a Masters degree in Photographic History & Research at De Montfort University, Leicester, I was fortunate enough to attend a presentation by Brian May, Denis Pellerin and Paula Fleming about their book ‘Diableries: Stereoscopic Adventures in Hell.’   

‘Diableries’ originally published in 2013.

For the first time, I heard  terms like ‘stereocard,’ ‘stereoscope’ and ‘view’ and learned about the fascination that 3D held for the Victorians.

As it turned out, the presentation proved both inspirational and pertinent.

A few months later, my Masters research project took shape … and a professional stereographer, Percy R. Salmon FRPS (1872-1959), was at its heart.

2022 film celebrating the 150th birthday of Percy R. Salmon FRPS (1872-1959).

But there was only one problem.

However hard I tried, I could not see in 3D.

The reason lay in my ‘lazy’ right eye, diagnosed when I was 7 during a school medical.

My astigmatism has meant wearing glasses ever since.

Then one day, when I had almost given up all hope of seeing in 3D, I looked at a stereocard through a hand-held stereoscope for the umpteenth time – and the two images fused into one.

I could see the promised 3D ‘view.’

My first hand-held stereocard viewer, ‘The Perfecscope’ c. 1895.

Since then, stereoscopy has transformed my life, leading to a doctorate that investigated 3D’s influence on early press photography (see ‘Writings’).

It’s also improved my eye-sight, prompting my optician to wonder how this was possible given I am getting older.

What started as a handful of stereocards is now a growing collection.

It largely features the Underwood & Underwood company (1880s-1920s); plus Excelsior Stereoscopic Tours of Burnley, Lancashire; press stereographer James Edward Ellam (1857-1920); plus early stereos by W. & D. Downey and amateurs like Edward and Eliza Charlton, all featured elsewhere on this blog.

If you haven’t tried stereoscopy before, hunt down a few cards on Ebay and purchase an ‘Owl’ viewer designed by Brian May.

https://shop.londonstereo.com/OWL-B-ENV.html

You won’t regret it.

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2 responses to “Seeing 3D”

  1. stephenmartin81 Avatar
    stephenmartin81

    Thanks again for an interesting post as usual. Apologies for not commenting earlier. My light-hearted response to your difficulties in seeing 3-D is that you might have been helped if your mother had given you Weetabix for breakfast! I first came across stereocards when they were issued with Weetabix and I remember you could send for a small plastic 3-D viewer. You might still be able to find such on eBay and I believe from the website that there may be one in the Kodak Collection in the National Media Museum in Bradford. I’m sure you are aware of all this from your research and visits to Bradford. After my brother “inherited” the Weetabix viewer from me, he “graduated” to Viewmaster with their circular cards. These were still available about 30 years ago as I seem to remember my son having one as a small boy.

    Liked by 1 person

    1. Pressphotoman Avatar

      Thanks Stephen. Your experience mirrors Sir Brian May’s as his introduction to stereoscopy. One of his first cards was a hippo with its jaws wide open. Fantastic. We were a Cornflakes family and to this day, I find Weetabix inedible.

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